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New Topographics - Signed -
Robert Adams, Lewis Baltz, Bernd and Hilla Becher, et al.
2009 - Steidl, Göttingen - First Edition
A fine first edition of this’ manifesto for a new vision of landscape photography’. [Blind Magazine, The 50 Most Influential Photobooks of All Time]
Illustrated from photographs by Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, and Henry Wessel, Jr.
Signed by Frank Gohlke, William Jenkins, and Britt Salvesen.
William Jenkins was the original curator and the man who named the exhibition—and identified what would become the ‘New Topographics’ movement. Britt Salvesen was the Director and Chief Curator at the Center for Creative Photography in Tucson when the ‘New Topographics’ show was revisited.
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Price HK$ 6,000
2009 - Steidl, Göttingen - First Edition
A fine first edition of this’ manifesto for a new vision of landscape photography’. [Blind Magazine, The 50 Most Influential Photobooks of All Time]Illustrated from photographs by Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, and Henry Wessel, Jr.
Signed by Frank Gohlke, William Jenkins, and Britt Salvesen.
William Jenkins was the original curator and the man who named the exhibition—and identified what would become the ‘New Topographics’ movement. Britt Salvesen was the Director and Chief Curator at the Center for Creative Photography in Tucson when the ‘New Topographics’ show was revisited.
More details
Price HK$ 6,000
Let Us Now Praise Famous Men -
James Agee, Walker Evans
1941 - Houghton, Boston - First Edition
First edition of what is considered one of the most influential works on the great depression and collaborations between author and photographer, of all time. In a superior and thus scarce dust jacket without restoration or price clipping. Illustrated with 31 photographs by Walker Evans.
Eclipsed by Steinbeck’s ‘Grapes of Wrath’ and only selling 1,000 copies on publication, Agee’s ferocious portrait of life among American sharecroppers remains the true classic of the Great Depression. [The Guardian Newspaper, 2008]
‘In the summer of 1936, Agee and Evans set out on assignment for Fortune magazine to explore the daily lives of sharecroppers in the South. Their journey would prove an extraordinary collaboration and a watershed literary event. This unsparing record of place, of the people who shaped the land, and of the rhythm of their lives today stands as one of the most influential books of the twentieth century.’
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Price HK$ 32,000
1941 - Houghton, Boston - First Edition
First edition of what is considered one of the most influential works on the great depression and collaborations between author and photographer, of all time. In a superior and thus scarce dust jacket without restoration or price clipping. Illustrated with 31 photographs by Walker Evans.Eclipsed by Steinbeck’s ‘Grapes of Wrath’ and only selling 1,000 copies on publication, Agee’s ferocious portrait of life among American sharecroppers remains the true classic of the Great Depression. [The Guardian Newspaper, 2008]
‘In the summer of 1936, Agee and Evans set out on assignment for Fortune magazine to explore the daily lives of sharecroppers in the South. Their journey would prove an extraordinary collaboration and a watershed literary event. This unsparing record of place, of the people who shaped the land, and of the rhythm of their lives today stands as one of the most influential books of the twentieth century.’
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Price HK$ 32,000
La Divina Commedia -
Dante Alighieri, Henry F. Cary (translator), Sandro Boticelli (illustrator)
1928 - The Nonesuch Press, London - First Nonesuch Edition. Limited to 1475 copies of which this is number 402.
‘Midway upon the journey of our life I found myself in a dark wood, where the right of way was lost.’ – Hell.
‘To run over better waters the little vessel of my genius now hoists her sails, as she leaves behind her a sea so cruel.’ – Purgatory.
‘In the heaven which most of His light I have been, and have seen things which he who descends from there above neither knows how nor has power to recount.’ – Paradise.
A gorgeous large limited edition of this medieval epic, combining Botticelli’s 42 sepia drawings (34 on double sheet, 8 on single sheet) with Dante’s Divina Commedia in both Italian and English. Showing only a modicum of the usual spine fading to which this vellum is notoriously prone, in a matching cloth and marbled paper lined slipcase.
Reportedly based on Dante’s experiences during his banishment from Florence, this reinterpretation of Christian themes had a seminal influence on philosophy, literature, and art, inspiring Chaucer, John Milton, Salvadore Dali, and T.S. Eliot, among many others.
‘Dante and Botticelli represented the Florence of two very different generations. No Renaissance artist contemplated the verities of Christianity with a deeper faith. Botticelli’s drawings are so much more than a commentary on, or a two-dimensional summation of, the Divina Commedia. They are breathtakingly beautiful. And in realising his project, Botticelli refined his own mysticisim and thus anticipated the intense lyricism of his final years’ – Francis Russell on the 2001 Botticelli exhibition at the Royal Academy (Country Life).
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Price HK$ 20,000
1928 - The Nonesuch Press, London - First Nonesuch Edition. Limited to 1475 copies of which this is number 402.
‘Midway upon the journey of our life I found myself in a dark wood, where the right of way was lost.’ – Hell.‘To run over better waters the little vessel of my genius now hoists her sails, as she leaves behind her a sea so cruel.’ – Purgatory.
‘In the heaven which most of His light I have been, and have seen things which he who descends from there above neither knows how nor has power to recount.’ – Paradise.
A gorgeous large limited edition of this medieval epic, combining Botticelli’s 42 sepia drawings (34 on double sheet, 8 on single sheet) with Dante’s Divina Commedia in both Italian and English. Showing only a modicum of the usual spine fading to which this vellum is notoriously prone, in a matching cloth and marbled paper lined slipcase.
Reportedly based on Dante’s experiences during his banishment from Florence, this reinterpretation of Christian themes had a seminal influence on philosophy, literature, and art, inspiring Chaucer, John Milton, Salvadore Dali, and T.S. Eliot, among many others.
‘Dante and Botticelli represented the Florence of two very different generations. No Renaissance artist contemplated the verities of Christianity with a deeper faith. Botticelli’s drawings are so much more than a commentary on, or a two-dimensional summation of, the Divina Commedia. They are breathtakingly beautiful. And in realising his project, Botticelli refined his own mysticisim and thus anticipated the intense lyricism of his final years’ – Francis Russell on the 2001 Botticelli exhibition at the Royal Academy (Country Life).
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Price HK$ 20,000
Modern Confectionary; Containing Receipts for Drying and Candying, Confits, Cakes, Preserves, Liqueurs, Ices, Jellies, Creams, Sponges, Pastes, Potted Meats, Pickles, Wines, Etc. Etc. Etc. By the Author of “Modern Cookery” -
Anon
1833 - Printed by and for Henry Mozley and Sons, Derby - Second Edition
A finely bound rare early nineteenth century compilation of recipes including deserts, cakes, biscuits, pickles, relish, wines. Most likely compiled from numerous sources by Eliza Acton, who has been described as the first modern cookery writer, preceding Mrs Beeton by several years. Delia Smith has called her ‘the best writer of recipes in the English language’.
Chapters are: Drying and Candying; Lozenges and Confits, Cakes, Biscuits, etc.; Puddings; Preserves; Sirups, Liqueurs, and Waters; Ices; Jellies; Creams, Custards, etc.; Sponges; Patties, Pastes, etc.; Potted Meats; Pickles, Catsups, etc.; Observations on British Wine.
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Price HK$ 3,000
1833 - Printed by and for Henry Mozley and Sons, Derby - Second Edition
A finely bound rare early nineteenth century compilation of recipes including deserts, cakes, biscuits, pickles, relish, wines. Most likely compiled from numerous sources by Eliza Acton, who has been described as the first modern cookery writer, preceding Mrs Beeton by several years. Delia Smith has called her ‘the best writer of recipes in the English language’.Chapters are: Drying and Candying; Lozenges and Confits, Cakes, Biscuits, etc.; Puddings; Preserves; Sirups, Liqueurs, and Waters; Ices; Jellies; Creams, Custards, etc.; Sponges; Patties, Pastes, etc.; Potted Meats; Pickles, Catsups, etc.; Observations on British Wine.
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Price HK$ 3,000
Le Paysan de Paris – The Peasant of Paris - Signed by Henri Cartier-Bresson -
Louis Aragon, Henri Cartier-Bresson
1994 - The Limited editions Club, New York - Number 89 of 300 copies.
‘I was seeking… a new kind of novel that would break all the traditional rules governing the writing of fiction… a novel that the critics would be obliged to approach empty-handed’ – Louis Aragon.
A large (32x42cm) beautiful and superbly produced limited edition folio of Louis Aragon’s outstanding Surrealist novel – in which he compares a poet’s love for his city to a peasant’s love for his land – illustrated and signed by Henri Cartier-Bresson, one of only 300 copies. With the text in English, translated by Simon Watson-Taylor.
Stunningly illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. The lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock.
Bound in silk and provided with a matching felt lined silk slipcase.
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Price HK$ 9,000
1994 - The Limited editions Club, New York - Number 89 of 300 copies.
‘I was seeking… a new kind of novel that would break all the traditional rules governing the writing of fiction… a novel that the critics would be obliged to approach empty-handed’ – Louis Aragon.A large (32x42cm) beautiful and superbly produced limited edition folio of Louis Aragon’s outstanding Surrealist novel – in which he compares a poet’s love for his city to a peasant’s love for his land – illustrated and signed by Henri Cartier-Bresson, one of only 300 copies. With the text in English, translated by Simon Watson-Taylor.
Stunningly illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. The lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock.
Bound in silk and provided with a matching felt lined silk slipcase.
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Price HK$ 9,000
Made in France -
Richard Avedon, Judith Thurman
2001 - Fraenkel Gallery, San Francisco - First and only edition, limited to 5000 ‘trade’ and 100 ‘special edition’ copies.
A fine first edition of this large and fabulous book, illustrated with 40 tritone and quadrotone plates, text by Richard Avedon and an Essay by Judith Thurman, staff writer for The New Yorker.
‘And if a day goes by without my doing something related to photography, it's as though I've neglected something essential to my existence, as though I had forgotten to wake up. I know that the accident of my being a photographer has made my life possible.’ - Richard Avedon.
‘These witty, ravishing photographs were taken in the late fifties, when Avedon was still shooting Paris couture for Harper's Bazaar— Suzy Parker, in a Lanvin-Castillo evening dress, bent over a pinball machine at Café des Beaux-Arts; Audrey Hepburn, in Dior, propped up against the bar at Maxim's like a bejewelled fountain pen.
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Price HK$ 5,000
2001 - Fraenkel Gallery, San Francisco - First and only edition, limited to 5000 ‘trade’ and 100 ‘special edition’ copies.
A fine first edition of this large and fabulous book, illustrated with 40 tritone and quadrotone plates, text by Richard Avedon and an Essay by Judith Thurman, staff writer for The New Yorker.‘And if a day goes by without my doing something related to photography, it's as though I've neglected something essential to my existence, as though I had forgotten to wake up. I know that the accident of my being a photographer has made my life possible.’ - Richard Avedon.
‘These witty, ravishing photographs were taken in the late fifties, when Avedon was still shooting Paris couture for Harper's Bazaar— Suzy Parker, in a Lanvin-Castillo evening dress, bent over a pinball machine at Café des Beaux-Arts; Audrey Hepburn, in Dior, propped up against the bar at Maxim's like a bejewelled fountain pen.
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Price HK$ 5,000
The Noted Breweries of Great Britain and Ireland in Three Vols. -
Alfred Barnard
1889 - Sir Joseph Causton & Sons, London - First Editions
The first three volumes of this landmark work on British and Irish brewers, over 1,500 pages illustrated throughout, covering the history and production of all 68 major ‘noted’ brewing establishments together with the great maltings of Meakin Bros. in Burton-on-Trent and H. Baird in Glasgow.
With numerous illustrated beer and whisky related advertisements to the rear of each volume.
‘In 1889 Alfred Barnard published the first volume of a remarkable work, The Noted Breweries of Great Britain and Ireland. It took the form of a series of reports on visits to breweries. Barnard's primary focus was on the brewery as a production unit rather than as the vertically integrated retailers into which brewing companies were slowly evolve... he gives detailed accounts of the premises, plant and product range of a wide range of breweries close to the height of the late Victorian brewery boom. Noted Breweries is unique as a historical source for these aspects of the brewing industry.’
‘Overall he provides a unique insight into a wide cross section of the plant and the personalities behind one of the major industries of the Victorian world.’ - Paul Bayley, Brewery History Society.
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Price HK$ 15,000
1889 - Sir Joseph Causton & Sons, London - First Editions
The first three volumes of this landmark work on British and Irish brewers, over 1,500 pages illustrated throughout, covering the history and production of all 68 major ‘noted’ brewing establishments together with the great maltings of Meakin Bros. in Burton-on-Trent and H. Baird in Glasgow.With numerous illustrated beer and whisky related advertisements to the rear of each volume.
‘In 1889 Alfred Barnard published the first volume of a remarkable work, The Noted Breweries of Great Britain and Ireland. It took the form of a series of reports on visits to breweries. Barnard's primary focus was on the brewery as a production unit rather than as the vertically integrated retailers into which brewing companies were slowly evolve... he gives detailed accounts of the premises, plant and product range of a wide range of breweries close to the height of the late Victorian brewery boom. Noted Breweries is unique as a historical source for these aspects of the brewing industry.’
‘Overall he provides a unique insight into a wide cross section of the plant and the personalities behind one of the major industries of the Victorian world.’ - Paul Bayley, Brewery History Society.
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Price HK$ 15,000
Observations Historical, Critical, and Medical, on the Wines of the Ancients. And the Analogy between them and Modern Wines. With General Observations on the Principles and Qualities of Water, and in particular those of Bath. -
Sir Edward Barry
1775 - T. Cadell, London - First Edition
‘The earliest work of any importance written in English about wines.’ - Andre Simon.
A fine and finely bound first edition of this classic text on the history of wine-making from the ancient times to the late 18th century. The appendix provides a survey of the principal wine-making regions of Europe. This is also the first book in English to discuss ‘modern wines’ [Gabler]. Illustrated with the wonderful engraved frontispiece and two engraved vignettes on title-page.
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Price HK$ 40,000
1775 - T. Cadell, London - First Edition
‘The earliest work of any importance written in English about wines.’ - Andre Simon.A fine and finely bound first edition of this classic text on the history of wine-making from the ancient times to the late 18th century. The appendix provides a survey of the principal wine-making regions of Europe. This is also the first book in English to discuss ‘modern wines’ [Gabler]. Illustrated with the wonderful engraved frontispiece and two engraved vignettes on title-page.
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Price HK$ 40,000