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Mappin & Webb Trade Catalogue -
1931 - Mappin & Webb Ltd., London - First Edition
A fine copy of this magnificent, opulent Mappin & Web catalogue, together with the original loose catalogues for Mappin & Webb’s Exclusive Designs in Inexpensive Jewellery and Garrard English Clocks.
A fabulous treasure trove of art-deco design and 1930’s luxury, with 200 illustrated pages, several full colour plates, from cocktail shakers and cigar cutters to art-deco clocks, and jewellery.
Mappin & Webb, whose first London showroom opened in 1849, had by the 1900’s grown into a worldwide group selling simple but elegant jewellery, classic table silverware and high end watch brands. Their relationship with the monarchy began in the late 19th Century and was formalised when HM Queen Victoria granted a royal warrant to Mappin & Webb their first as silversmiths, in 1897, the year of The Queen’s diamond jubilee. Mappin & Webb has held a royal warrant as silversmiths to each of the five subsequent sovereigns and today holds a Royal Warrant as Silversmiths to HM The Queen and to HRH The Prince of Wales. In 2012, a craftsman at Mappin & Webb, Martin Swift was also appointed The Crown Jeweller [from The History of Mappin & Webb]
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Price HK$ 4,000
1931 - Mappin & Webb Ltd., London - First Edition
A fine copy of this magnificent, opulent Mappin & Web catalogue, together with the original loose catalogues for Mappin & Webb’s Exclusive Designs in Inexpensive Jewellery and Garrard English Clocks. A fabulous treasure trove of art-deco design and 1930’s luxury, with 200 illustrated pages, several full colour plates, from cocktail shakers and cigar cutters to art-deco clocks, and jewellery.
Mappin & Webb, whose first London showroom opened in 1849, had by the 1900’s grown into a worldwide group selling simple but elegant jewellery, classic table silverware and high end watch brands. Their relationship with the monarchy began in the late 19th Century and was formalised when HM Queen Victoria granted a royal warrant to Mappin & Webb their first as silversmiths, in 1897, the year of The Queen’s diamond jubilee. Mappin & Webb has held a royal warrant as silversmiths to each of the five subsequent sovereigns and today holds a Royal Warrant as Silversmiths to HM The Queen and to HRH The Prince of Wales. In 2012, a craftsman at Mappin & Webb, Martin Swift was also appointed The Crown Jeweller [from The History of Mappin & Webb]
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Price HK$ 4,000
Bond Bound - Ian Fleming and the art of Cover Design -
2008 - Fleming-Wyfold Art Foundation, London - First Edition
A scarce and fine example of this title, produced to accompany the 'Bond Bound' exhibition held in the gallery of London’s Flemings Bank during the Ian Fleming Centenary year, and later at The City art centre in Edinburgh. Heavily illustrated throughout with over 200 images of Bond covers, an essential guide to the artists and art that accompanied the James Bond books. With essays from various specialists.
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Price HK$ 1,500
2008 - Fleming-Wyfold Art Foundation, London - First Edition
A scarce and fine example of this title, produced to accompany the 'Bond Bound' exhibition held in the gallery of London’s Flemings Bank during the Ian Fleming Centenary year, and later at The City art centre in Edinburgh. Heavily illustrated throughout with over 200 images of Bond covers, an essential guide to the artists and art that accompanied the James Bond books. With essays from various specialists.
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Price HK$ 1,500
New Topographics - Signed -
Robert Adams, Lewis Baltz, Bernd and Hilla Becher, et al.
2009 - Steidl, Göttingen - First Edition
A fine first edition of this’ manifesto for a new vision of landscape photography’. [Blind Magazine, The 50 Most Influential Photobooks of All Time]
Illustrated from photographs by Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, and Henry Wessel, Jr.
Signed by Frank Gohlke, William Jenkins, and Britt Salvesen.
William Jenkins was the original curator and the man who named the exhibition—and identified what would become the ‘New Topographics’ movement. Britt Salvesen was the Director and Chief Curator at the Center for Creative Photography in Tucson when the ‘New Topographics’ show was revisited.
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Price HK$ 6,000
2009 - Steidl, Göttingen - First Edition
A fine first edition of this’ manifesto for a new vision of landscape photography’. [Blind Magazine, The 50 Most Influential Photobooks of All Time]Illustrated from photographs by Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, and Henry Wessel, Jr.
Signed by Frank Gohlke, William Jenkins, and Britt Salvesen.
William Jenkins was the original curator and the man who named the exhibition—and identified what would become the ‘New Topographics’ movement. Britt Salvesen was the Director and Chief Curator at the Center for Creative Photography in Tucson when the ‘New Topographics’ show was revisited.
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Price HK$ 6,000
La Divina Commedia -
Dante Alighieri, Henry F. Cary (translator), Sandro Boticelli (illustrator)
1928 - The Nonesuch Press, London - First Nonesuch Edition. Limited to 1475 copies of which this is number 402.
‘Midway upon the journey of our life I found myself in a dark wood, where the right of way was lost.’ – Hell.
‘To run over better waters the little vessel of my genius now hoists her sails, as she leaves behind her a sea so cruel.’ – Purgatory.
‘In the heaven which most of His light I have been, and have seen things which he who descends from there above neither knows how nor has power to recount.’ – Paradise.
A gorgeous large limited edition of this medieval epic, combining Botticelli’s 42 sepia drawings (34 on double sheet, 8 on single sheet) with Dante’s Divina Commedia in both Italian and English. Showing only a modicum of the usual spine fading to which this vellum is notoriously prone, in a matching cloth and marbled paper lined slipcase.
Reportedly based on Dante’s experiences during his banishment from Florence, this reinterpretation of Christian themes had a seminal influence on philosophy, literature, and art, inspiring Chaucer, John Milton, Salvadore Dali, and T.S. Eliot, among many others.
‘Dante and Botticelli represented the Florence of two very different generations. No Renaissance artist contemplated the verities of Christianity with a deeper faith. Botticelli’s drawings are so much more than a commentary on, or a two-dimensional summation of, the Divina Commedia. They are breathtakingly beautiful. And in realising his project, Botticelli refined his own mysticisim and thus anticipated the intense lyricism of his final years’ – Francis Russell on the 2001 Botticelli exhibition at the Royal Academy (Country Life).
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Price HK$ 20,000
1928 - The Nonesuch Press, London - First Nonesuch Edition. Limited to 1475 copies of which this is number 402.
‘Midway upon the journey of our life I found myself in a dark wood, where the right of way was lost.’ – Hell.‘To run over better waters the little vessel of my genius now hoists her sails, as she leaves behind her a sea so cruel.’ – Purgatory.
‘In the heaven which most of His light I have been, and have seen things which he who descends from there above neither knows how nor has power to recount.’ – Paradise.
A gorgeous large limited edition of this medieval epic, combining Botticelli’s 42 sepia drawings (34 on double sheet, 8 on single sheet) with Dante’s Divina Commedia in both Italian and English. Showing only a modicum of the usual spine fading to which this vellum is notoriously prone, in a matching cloth and marbled paper lined slipcase.
Reportedly based on Dante’s experiences during his banishment from Florence, this reinterpretation of Christian themes had a seminal influence on philosophy, literature, and art, inspiring Chaucer, John Milton, Salvadore Dali, and T.S. Eliot, among many others.
‘Dante and Botticelli represented the Florence of two very different generations. No Renaissance artist contemplated the verities of Christianity with a deeper faith. Botticelli’s drawings are so much more than a commentary on, or a two-dimensional summation of, the Divina Commedia. They are breathtakingly beautiful. And in realising his project, Botticelli refined his own mysticisim and thus anticipated the intense lyricism of his final years’ – Francis Russell on the 2001 Botticelli exhibition at the Royal Academy (Country Life).
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Price HK$ 20,000
Modern Confectionary; Containing Receipts for Drying and Candying, Confits, Cakes, Preserves, Liqueurs, Ices, Jellies, Creams, Sponges, Pastes, Potted Meats, Pickles, Wines, Etc. Etc. Etc. By the Author of “Modern Cookery” -
Anon
1833 - Printed by and for Henry Mozley and Sons, Derby - Second Edition
A finely bound rare early nineteenth century compilation of recipes including deserts, cakes, biscuits, pickles, relish, wines. Most likely compiled from numerous sources by Eliza Acton, who has been described as the first modern cookery writer, preceding Mrs Beeton by several years. Delia Smith has called her ‘the best writer of recipes in the English language’.
Chapters are: Drying and Candying; Lozenges and Confits, Cakes, Biscuits, etc.; Puddings; Preserves; Sirups, Liqueurs, and Waters; Ices; Jellies; Creams, Custards, etc.; Sponges; Patties, Pastes, etc.; Potted Meats; Pickles, Catsups, etc.; Observations on British Wine.
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Price HK$ 3,000
1833 - Printed by and for Henry Mozley and Sons, Derby - Second Edition
A finely bound rare early nineteenth century compilation of recipes including deserts, cakes, biscuits, pickles, relish, wines. Most likely compiled from numerous sources by Eliza Acton, who has been described as the first modern cookery writer, preceding Mrs Beeton by several years. Delia Smith has called her ‘the best writer of recipes in the English language’.Chapters are: Drying and Candying; Lozenges and Confits, Cakes, Biscuits, etc.; Puddings; Preserves; Sirups, Liqueurs, and Waters; Ices; Jellies; Creams, Custards, etc.; Sponges; Patties, Pastes, etc.; Potted Meats; Pickles, Catsups, etc.; Observations on British Wine.
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Price HK$ 3,000
Le Paysan de Paris – The Peasant of Paris - Signed by Henri Cartier-Bresson -
Louis Aragon, Henri Cartier-Bresson
1994 - The Limited editions Club, New York - Number 89 of 300 copies.
‘I was seeking… a new kind of novel that would break all the traditional rules governing the writing of fiction… a novel that the critics would be obliged to approach empty-handed’ – Louis Aragon.
A large (32x42cm) beautiful and superbly produced limited edition folio of Louis Aragon’s outstanding Surrealist novel – in which he compares a poet’s love for his city to a peasant’s love for his land – illustrated and signed by Henri Cartier-Bresson, one of only 300 copies. With the text in English, translated by Simon Watson-Taylor.
Stunningly illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. The lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock.
Bound in silk and provided with a matching felt lined silk slipcase.
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Price HK$ 9,000
1994 - The Limited editions Club, New York - Number 89 of 300 copies.
‘I was seeking… a new kind of novel that would break all the traditional rules governing the writing of fiction… a novel that the critics would be obliged to approach empty-handed’ – Louis Aragon.A large (32x42cm) beautiful and superbly produced limited edition folio of Louis Aragon’s outstanding Surrealist novel – in which he compares a poet’s love for his city to a peasant’s love for his land – illustrated and signed by Henri Cartier-Bresson, one of only 300 copies. With the text in English, translated by Simon Watson-Taylor.
Stunningly illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. The lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock.
Bound in silk and provided with a matching felt lined silk slipcase.
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Price HK$ 9,000
Observations Historical, Critical, and Medical, on the Wines of the Ancients. And the Analogy between them and Modern Wines. With General Observations on the Principles and Qualities of Water, and in particular those of Bath. -
Sir Edward Barry
1775 - T. Cadell, London - First Edition
‘The earliest work of any importance written in English about wines.’ - Andre Simon.
A fine and finely bound first edition of this classic text on the history of wine-making from the ancient times to the late 18th century. The appendix provides a survey of the principal wine-making regions of Europe. This is also the first book in English to discuss ‘modern wines’ [Gabler]. Illustrated with the wonderful engraved frontispiece and two engraved vignettes on title-page.
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Price HK$ 40,000
1775 - T. Cadell, London - First Edition
‘The earliest work of any importance written in English about wines.’ - Andre Simon.A fine and finely bound first edition of this classic text on the history of wine-making from the ancient times to the late 18th century. The appendix provides a survey of the principal wine-making regions of Europe. This is also the first book in English to discuss ‘modern wines’ [Gabler]. Illustrated with the wonderful engraved frontispiece and two engraved vignettes on title-page.
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Price HK$ 40,000
A Portfolio of Drawings Illustrating Salome by Oscar Wilde -
Aubrey Beardsley
1912 - John Lane, London
Aubrey Beardsley was just 21 years old when he produced the drawings for Oscar Wilde's play Salome. They were first published in The Studio magazine in 1893. These illustrations launched Beardsley from obscurity to international fame almost overnight. More importantly, they marked the beginning of a new era in the arts: these are commonly held to be the first works to develop an Art Nouveau style.
This scarce portfolio contains sixteen large black and white plates of the Salome illustrations, together with a separate list of plates, all printed on Japanese vellum, and loose as issued [plates size 34.2 x 26.9 cm]. Without the ‘Design for Title Page’ plate.
Housed in publisher's portfolio of half cream vellum over olive green paper boards, front panel titled in gilt ‘Aubrey Beardsley’s Illustrations to Salome’ and with the Beardsley designed rose-bush motif from the 1894 edition blocked in rose gold.
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Price HK$ 12,000
1912 - John Lane, London
Aubrey Beardsley was just 21 years old when he produced the drawings for Oscar Wilde's play Salome. They were first published in The Studio magazine in 1893. These illustrations launched Beardsley from obscurity to international fame almost overnight. More importantly, they marked the beginning of a new era in the arts: these are commonly held to be the first works to develop an Art Nouveau style.This scarce portfolio contains sixteen large black and white plates of the Salome illustrations, together with a separate list of plates, all printed on Japanese vellum, and loose as issued [plates size 34.2 x 26.9 cm]. Without the ‘Design for Title Page’ plate.
Housed in publisher's portfolio of half cream vellum over olive green paper boards, front panel titled in gilt ‘Aubrey Beardsley’s Illustrations to Salome’ and with the Beardsley designed rose-bush motif from the 1894 edition blocked in rose gold.
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Price HK$ 12,000