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Mappin & Webb Trade Catalogue -
1931 - Mappin & Webb Ltd., London - First Edition
A fine copy of this magnificent, opulent Mappin & Web catalogue, together with the original loose catalogues for Mappin & Webb’s Exclusive Designs in Inexpensive Jewellery and Garrard English Clocks.
A fabulous treasure trove of art-deco design and 1930’s luxury, with 200 illustrated pages, several full colour plates, from cocktail shakers and cigar cutters to art-deco clocks, and jewellery.
Mappin & Webb, whose first London showroom opened in 1849, had by the 1900’s grown into a worldwide group selling simple but elegant jewellery, classic table silverware and high end watch brands. Their relationship with the monarchy began in the late 19th Century and was formalised when HM Queen Victoria granted a royal warrant to Mappin & Webb their first as silversmiths, in 1897, the year of The Queen’s diamond jubilee. Mappin & Webb has held a royal warrant as silversmiths to each of the five subsequent sovereigns and today holds a Royal Warrant as Silversmiths to HM The Queen and to HRH The Prince of Wales. In 2012, a craftsman at Mappin & Webb, Martin Swift was also appointed The Crown Jeweller [from The History of Mappin & Webb]
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Price HK$ 4,000
1931 - Mappin & Webb Ltd., London - First Edition
A fine copy of this magnificent, opulent Mappin & Web catalogue, together with the original loose catalogues for Mappin & Webb’s Exclusive Designs in Inexpensive Jewellery and Garrard English Clocks. A fabulous treasure trove of art-deco design and 1930’s luxury, with 200 illustrated pages, several full colour plates, from cocktail shakers and cigar cutters to art-deco clocks, and jewellery.
Mappin & Webb, whose first London showroom opened in 1849, had by the 1900’s grown into a worldwide group selling simple but elegant jewellery, classic table silverware and high end watch brands. Their relationship with the monarchy began in the late 19th Century and was formalised when HM Queen Victoria granted a royal warrant to Mappin & Webb their first as silversmiths, in 1897, the year of The Queen’s diamond jubilee. Mappin & Webb has held a royal warrant as silversmiths to each of the five subsequent sovereigns and today holds a Royal Warrant as Silversmiths to HM The Queen and to HRH The Prince of Wales. In 2012, a craftsman at Mappin & Webb, Martin Swift was also appointed The Crown Jeweller [from The History of Mappin & Webb]
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Price HK$ 4,000
Bond Bound - Ian Fleming and the art of Cover Design -
2008 - Fleming-Wyfold Art Foundation, London - First Edition
A scarce and fine example of this title, produced to accompany the 'Bond Bound' exhibition held in the gallery of London’s Flemings Bank during the Ian Fleming Centenary year, and later at The City art centre in Edinburgh. Heavily illustrated throughout with over 200 images of Bond covers, an essential guide to the artists and art that accompanied the James Bond books. With essays from various specialists.
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Price HK$ 1,500
2008 - Fleming-Wyfold Art Foundation, London - First Edition
A scarce and fine example of this title, produced to accompany the 'Bond Bound' exhibition held in the gallery of London’s Flemings Bank during the Ian Fleming Centenary year, and later at The City art centre in Edinburgh. Heavily illustrated throughout with over 200 images of Bond covers, an essential guide to the artists and art that accompanied the James Bond books. With essays from various specialists.
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Price HK$ 1,500
The Long Ash - Summer 1948 -
1948 - General Cigar Co., New York - Only Issue
A fine and rare example of this small and fascinating promotional sales book for General Cigar Company, masters of American advertising and promotion and the most successful and largest cigar company in the world, which, by 1960, was selling about US$30 million worth of cigars a year.
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Price HK$ 2,000
1948 - General Cigar Co., New York - Only Issue
A fine and rare example of this small and fascinating promotional sales book for General Cigar Company, masters of American advertising and promotion and the most successful and largest cigar company in the world, which, by 1960, was selling about US$30 million worth of cigars a year.
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Price HK$ 2,000
New Topographics - Signed -
Robert Adams, Lewis Baltz, Bernd and Hilla Becher, et al.
2009 - Steidl, Göttingen - First Edition
A fine first edition of this’ manifesto for a new vision of landscape photography’. [Blind Magazine, The 50 Most Influential Photobooks of All Time]
Illustrated from photographs by Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, and Henry Wessel, Jr.
Signed by Frank Gohlke, William Jenkins, and Britt Salvesen.
William Jenkins was the original curator and the man who named the exhibition—and identified what would become the ‘New Topographics’ movement. Britt Salvesen was the Director and Chief Curator at the Center for Creative Photography in Tucson when the ‘New Topographics’ show was revisited.
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Price HK$ 6,000
2009 - Steidl, Göttingen - First Edition
A fine first edition of this’ manifesto for a new vision of landscape photography’. [Blind Magazine, The 50 Most Influential Photobooks of All Time]Illustrated from photographs by Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, and Henry Wessel, Jr.
Signed by Frank Gohlke, William Jenkins, and Britt Salvesen.
William Jenkins was the original curator and the man who named the exhibition—and identified what would become the ‘New Topographics’ movement. Britt Salvesen was the Director and Chief Curator at the Center for Creative Photography in Tucson when the ‘New Topographics’ show was revisited.
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Price HK$ 6,000
La Divina Commedia -
Dante Alighieri, Henry F. Cary (translator), Sandro Boticelli (illustrator)
1928 - The Nonesuch Press, London - First Nonesuch Edition. Limited to 1475 copies of which this is number 402.
‘Midway upon the journey of our life I found myself in a dark wood, where the right of way was lost.’ – Hell.
‘To run over better waters the little vessel of my genius now hoists her sails, as she leaves behind her a sea so cruel.’ – Purgatory.
‘In the heaven which most of His light I have been, and have seen things which he who descends from there above neither knows how nor has power to recount.’ – Paradise.
A gorgeous large limited edition of this medieval epic, combining Botticelli’s 42 sepia drawings (34 on double sheet, 8 on single sheet) with Dante’s Divina Commedia in both Italian and English. Showing only a modicum of the usual spine fading to which this vellum is notoriously prone, in a matching cloth and marbled paper lined slipcase.
Reportedly based on Dante’s experiences during his banishment from Florence, this reinterpretation of Christian themes had a seminal influence on philosophy, literature, and art, inspiring Chaucer, John Milton, Salvadore Dali, and T.S. Eliot, among many others.
‘Dante and Botticelli represented the Florence of two very different generations. No Renaissance artist contemplated the verities of Christianity with a deeper faith. Botticelli’s drawings are so much more than a commentary on, or a two-dimensional summation of, the Divina Commedia. They are breathtakingly beautiful. And in realising his project, Botticelli refined his own mysticisim and thus anticipated the intense lyricism of his final years’ – Francis Russell on the 2001 Botticelli exhibition at the Royal Academy (Country Life).
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Price HK$ 20,000
1928 - The Nonesuch Press, London - First Nonesuch Edition. Limited to 1475 copies of which this is number 402.
‘Midway upon the journey of our life I found myself in a dark wood, where the right of way was lost.’ – Hell.‘To run over better waters the little vessel of my genius now hoists her sails, as she leaves behind her a sea so cruel.’ – Purgatory.
‘In the heaven which most of His light I have been, and have seen things which he who descends from there above neither knows how nor has power to recount.’ – Paradise.
A gorgeous large limited edition of this medieval epic, combining Botticelli’s 42 sepia drawings (34 on double sheet, 8 on single sheet) with Dante’s Divina Commedia in both Italian and English. Showing only a modicum of the usual spine fading to which this vellum is notoriously prone, in a matching cloth and marbled paper lined slipcase.
Reportedly based on Dante’s experiences during his banishment from Florence, this reinterpretation of Christian themes had a seminal influence on philosophy, literature, and art, inspiring Chaucer, John Milton, Salvadore Dali, and T.S. Eliot, among many others.
‘Dante and Botticelli represented the Florence of two very different generations. No Renaissance artist contemplated the verities of Christianity with a deeper faith. Botticelli’s drawings are so much more than a commentary on, or a two-dimensional summation of, the Divina Commedia. They are breathtakingly beautiful. And in realising his project, Botticelli refined his own mysticisim and thus anticipated the intense lyricism of his final years’ – Francis Russell on the 2001 Botticelli exhibition at the Royal Academy (Country Life).
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Price HK$ 20,000
Modern Confectionary; Containing Receipts for Drying and Candying, Confits, Cakes, Preserves, Liqueurs, Ices, Jellies, Creams, Sponges, Pastes, Potted Meats, Pickles, Wines, Etc. Etc. Etc. By the Author of “Modern Cookery” -
Anon
1833 - Printed by and for Henry Mozley and Sons, Derby - Second Edition
A finely bound rare early nineteenth century compilation of recipes including deserts, cakes, biscuits, pickles, relish, wines. Most likely compiled from numerous sources by Eliza Acton, who has been described as the first modern cookery writer, preceding Mrs Beeton by several years. Delia Smith has called her ‘the best writer of recipes in the English language’.
Chapters are: Drying and Candying; Lozenges and Confits, Cakes, Biscuits, etc.; Puddings; Preserves; Sirups, Liqueurs, and Waters; Ices; Jellies; Creams, Custards, etc.; Sponges; Patties, Pastes, etc.; Potted Meats; Pickles, Catsups, etc.; Observations on British Wine.
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Price HK$ 3,000
1833 - Printed by and for Henry Mozley and Sons, Derby - Second Edition
A finely bound rare early nineteenth century compilation of recipes including deserts, cakes, biscuits, pickles, relish, wines. Most likely compiled from numerous sources by Eliza Acton, who has been described as the first modern cookery writer, preceding Mrs Beeton by several years. Delia Smith has called her ‘the best writer of recipes in the English language’.Chapters are: Drying and Candying; Lozenges and Confits, Cakes, Biscuits, etc.; Puddings; Preserves; Sirups, Liqueurs, and Waters; Ices; Jellies; Creams, Custards, etc.; Sponges; Patties, Pastes, etc.; Potted Meats; Pickles, Catsups, etc.; Observations on British Wine.
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Price HK$ 3,000
Le Paysan de Paris – The Peasant of Paris - Signed by Henri Cartier-Bresson -
Louis Aragon, Henri Cartier-Bresson
1994 - The Limited editions Club, New York - Number 89 of 300 copies.
‘I was seeking… a new kind of novel that would break all the traditional rules governing the writing of fiction… a novel that the critics would be obliged to approach empty-handed’ – Louis Aragon.
A large (32x42cm) beautiful and superbly produced limited edition folio of Louis Aragon’s outstanding Surrealist novel – in which he compares a poet’s love for his city to a peasant’s love for his land – illustrated and signed by Henri Cartier-Bresson, one of only 300 copies. With the text in English, translated by Simon Watson-Taylor.
Stunningly illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. The lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock.
Bound in silk and provided with a matching felt lined silk slipcase.
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Price HK$ 9,000
1994 - The Limited editions Club, New York - Number 89 of 300 copies.
‘I was seeking… a new kind of novel that would break all the traditional rules governing the writing of fiction… a novel that the critics would be obliged to approach empty-handed’ – Louis Aragon.A large (32x42cm) beautiful and superbly produced limited edition folio of Louis Aragon’s outstanding Surrealist novel – in which he compares a poet’s love for his city to a peasant’s love for his land – illustrated and signed by Henri Cartier-Bresson, one of only 300 copies. With the text in English, translated by Simon Watson-Taylor.
Stunningly illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. The lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock.
Bound in silk and provided with a matching felt lined silk slipcase.
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Price HK$ 9,000
Made in France -
Richard Avedon, Judith Thurman
2001 - Fraenkel Gallery, San Francisco - First and only edition, limited to 5000 ‘trade’ and 100 ‘special edition’ copies.
First edition of this large and fabulous book, illustrated with 40 tritone and quadrotone plates, text by Richard Avedon and an Essay by Judith Thurman, staff writer for The New Yorker.
‘And if a day goes by without my doing something related to photography, it's as though I've neglected something essential to my existence, as though I had forgotten to wake up. I know that the accident of my being a photographer has made my life possible.’ - Richard Avedon.
‘These witty, ravishing photographs were taken in the late fifties, when Avedon was still shooting Paris couture for Harper's Bazaar— Suzy Parker, in a Lanvin-Castillo evening dress, bent over a pinball machine at Café des Beaux-Arts; Audrey Hepburn, in Dior, propped up against the bar at Maxim's like a bejewelled fountain pen.
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Price HK$ 2,500
2001 - Fraenkel Gallery, San Francisco - First and only edition, limited to 5000 ‘trade’ and 100 ‘special edition’ copies.
First edition of this large and fabulous book, illustrated with 40 tritone and quadrotone plates, text by Richard Avedon and an Essay by Judith Thurman, staff writer for The New Yorker. ‘And if a day goes by without my doing something related to photography, it's as though I've neglected something essential to my existence, as though I had forgotten to wake up. I know that the accident of my being a photographer has made my life possible.’ - Richard Avedon.
‘These witty, ravishing photographs were taken in the late fifties, when Avedon was still shooting Paris couture for Harper's Bazaar— Suzy Parker, in a Lanvin-Castillo evening dress, bent over a pinball machine at Café des Beaux-Arts; Audrey Hepburn, in Dior, propped up against the bar at Maxim's like a bejewelled fountain pen.
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Price HK$ 2,500