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Le Bon-Bock - 321 Letterpress Invitations in two Folio Albums -
Various
1886-1936 - Printed for Le Bon-Bock, Paris
An incredibly rare collection of 321 original illustrated letterpress dinner invitations from Le Bon-Bock society (each approximately 33x23cm), whose soirees on the second Tuesday of each month near Montmartre were frequented by Paris’ most flamboyant and original writers and artists of La Belle Époque and Les Années Folles.
The artists competed to have their work used for the next invitation, and together with their work each invitation provides an account of the previous dinners activities, beginning with opening speeches, notices and announcements, and then other activities, which usually include poems, prose, texts, songs, instrumental pieces.
The invitations are dated from April 1886 to April 1936, with the first thirty or so addressed to Monsieur Régnier, one of the founders of the association. Individually rare, a collection of this size and association provides one of the most important associations of these periods in Paris.
Inspired by Edouard Manet’s painting Le Bon Bock (The Good Pint), and the democratic, nationalistic ideals that it symbolised, Emile Bellot (the printmaker and model for Manet’s beer drinker) established the Bon-Bock Society in 1875. Consisting mainly of artists, writers and performers, the society sought to re-define France’s national spirit by delving into the country’s cultural past. The inseparable ideals of freedom and humour within their community created opportunities for artistic experimentation; the Bon Bockers and their carefree attitude would go on to inspire generations of Montmartre natives for years to come.
More details
Price HK$ 90,000
1886-1936 - Printed for Le Bon-Bock, Paris
An incredibly rare collection of 321 original illustrated letterpress dinner invitations from Le Bon-Bock society (each approximately 33x23cm), whose soirees on the second Tuesday of each month near Montmartre were frequented by Paris’ most flamboyant and original writers and artists of La Belle Époque and Les Années Folles. The artists competed to have their work used for the next invitation, and together with their work each invitation provides an account of the previous dinners activities, beginning with opening speeches, notices and announcements, and then other activities, which usually include poems, prose, texts, songs, instrumental pieces.
The invitations are dated from April 1886 to April 1936, with the first thirty or so addressed to Monsieur Régnier, one of the founders of the association. Individually rare, a collection of this size and association provides one of the most important associations of these periods in Paris.
Inspired by Edouard Manet’s painting Le Bon Bock (The Good Pint), and the democratic, nationalistic ideals that it symbolised, Emile Bellot (the printmaker and model for Manet’s beer drinker) established the Bon-Bock Society in 1875. Consisting mainly of artists, writers and performers, the society sought to re-define France’s national spirit by delving into the country’s cultural past. The inseparable ideals of freedom and humour within their community created opportunities for artistic experimentation; the Bon Bockers and their carefree attitude would go on to inspire generations of Montmartre natives for years to come.
More details
Price HK$ 90,000
Facts About Champagne collected during numerous visits to the Champagne District - Inscribed -
Henry Vizetelly
1890 - Vizetelly & Co., London - Second and Revised Edition
Scarce edition of this wonderful work on Champagne inscribed by the great Henry Vizetelly to George Augustus Sala, a celebrated Victorian author, gastronome and a colleague at the Illustrated London News, dated ‘Covent Garden, 14 Augt. 1901’, two years after Vizetelly was released from prison for translating and publishing the works of Émile Zola in unexpurgated form.
Profusely illustrated with 32 full page engraved plates and 68 in text engravings drawn by Jules Pelcoq, W. Prater, Bertali, etc. from original sketches, as well as 38 small engravings of the Champagne brand marks to the rear.
Chapters cover:- The Origin of Champagne; The Vintage in the Champagne; The Vineyards of the River; The Vineyards of the Mountain; The Vines of the Champagne and the System of Cultivation; Preparation of Champagne; Champagne Establishments of Reims, Epernay, Ay, Mareuil, and Avize; and Concluding Facts and Hints.
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Price HK$ 9,000
1890 - Vizetelly & Co., London - Second and Revised Edition
Scarce edition of this wonderful work on Champagne inscribed by the great Henry Vizetelly to George Augustus Sala, a celebrated Victorian author, gastronome and a colleague at the Illustrated London News, dated ‘Covent Garden, 14 Augt. 1901’, two years after Vizetelly was released from prison for translating and publishing the works of Émile Zola in unexpurgated form.Profusely illustrated with 32 full page engraved plates and 68 in text engravings drawn by Jules Pelcoq, W. Prater, Bertali, etc. from original sketches, as well as 38 small engravings of the Champagne brand marks to the rear.
Chapters cover:- The Origin of Champagne; The Vintage in the Champagne; The Vineyards of the River; The Vineyards of the Mountain; The Vines of the Champagne and the System of Cultivation; Preparation of Champagne; Champagne Establishments of Reims, Epernay, Ay, Mareuil, and Avize; and Concluding Facts and Hints.
More details
Price HK$ 9,000