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The Life of Robert Burns -
Robert Burns, John Gibson Lockhart, William Scott Douglas, Sir Walter Raleigh
1914 - Henry Young &, Liverpool - Number 405 of 500 copies, signed by the publishers
Two finely bound volumes printed on thick paper, illustrated with thirty-one plates. Included is an ‘Essay on Robert Burns’ by Sir Walter Raleigh, a ‘Memoir of Lockhart’, the ‘Author’s Preface’ and notes and appendices by William Scott Douglas.
‘Lockhart's ‘Life of Burns’, his first sustained attempt in biography, was for a century and more the standard account of the poet and his work. If Lockhart is sometimes limited, he is generally sensible he was born just before Burns died, and had access to men who had seen and known the poet his critical approach is often close to that of the literary world to which Burns, for a time, turned a hopeful eye and his succinct sketches of Burns's milieu and of the men in it, are excellent.’ ‘One of the few judicious and eminently readable biographies of Burns.’ - Professor James Kinsley, introduction to the 2006 edition.
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Price HK$ 4,000
1914 - Henry Young &, Liverpool - Number 405 of 500 copies, signed by the publishers
Two finely bound volumes printed on thick paper, illustrated with thirty-one plates. Included is an ‘Essay on Robert Burns’ by Sir Walter Raleigh, a ‘Memoir of Lockhart’, the ‘Author’s Preface’ and notes and appendices by William Scott Douglas. ‘Lockhart's ‘Life of Burns’, his first sustained attempt in biography, was for a century and more the standard account of the poet and his work. If Lockhart is sometimes limited, he is generally sensible he was born just before Burns died, and had access to men who had seen and known the poet his critical approach is often close to that of the literary world to which Burns, for a time, turned a hopeful eye and his succinct sketches of Burns's milieu and of the men in it, are excellent.’ ‘One of the few judicious and eminently readable biographies of Burns.’ - Professor James Kinsley, introduction to the 2006 edition.
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Price HK$ 4,000
Scotia Depicta -
James Fittler, John Claude Nattes
1804 - Printed by T. Bensley for W. Miller, London - First Edition
This remarkable work contains forty-eight engraved plates of Scottish Landscapes and buildings etched by James Fittler (appointed engraver to King George III) from drawings by John Claude Nattes, each one accompanied by a detailed historic description. In addition to the more well known locations of Edinburgh and the Scottish Highlands, Nattes included places such as Aberdeen, Banff, Moray and Inverness.
In a contemporary binding (35.5 x 29 cm), also illustrated with engraved frontispiece, additional engraved title page, and engraved tailpiece.
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Price HK$ 8,000
1804 - Printed by T. Bensley for W. Miller, London - First Edition
This remarkable work contains forty-eight engraved plates of Scottish Landscapes and buildings etched by James Fittler (appointed engraver to King George III) from drawings by John Claude Nattes, each one accompanied by a detailed historic description. In addition to the more well known locations of Edinburgh and the Scottish Highlands, Nattes included places such as Aberdeen, Banff, Moray and Inverness.In a contemporary binding (35.5 x 29 cm), also illustrated with engraved frontispiece, additional engraved title page, and engraved tailpiece.
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Price HK$ 8,000
Highland Sport -
A. Grimble, Archibald Thorburn (illustrator)
1894 - Chapman and Hall, London - First Edition
A large and beautifully bound work Illustrated with eleven full page plates by Scottish wildlife artist Archibald Thorburn (1860-1935).
Augustus Grimble presents here his entertaining recollections and views on fishing and shooting in the highlands of Scotland.
Grimble was the first to call for a close time to the Salmon fishing season in Scotland after witnessing the alarming drop in catch, and rise in netting technology and quantity, as well as highlighting the threats of industrial sewage polluting the rivers and streams near cities.
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Price HK$ 6,000
1894 - Chapman and Hall, London - First Edition
A large and beautifully bound work Illustrated with eleven full page plates by Scottish wildlife artist Archibald Thorburn (1860-1935). Augustus Grimble presents here his entertaining recollections and views on fishing and shooting in the highlands of Scotland.
Grimble was the first to call for a close time to the Salmon fishing season in Scotland after witnessing the alarming drop in catch, and rise in netting technology and quantity, as well as highlighting the threats of industrial sewage polluting the rivers and streams near cities.
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Price HK$ 6,000
The Antiquities of Scotland -
Francis Grose
1797 - Hooper &, London - First Hooper &
Two magnificently illustrated large volumes of this comprehensive work, with 190 full page engraved plates, large engraved folding Index Map to the Antiquities of Scotland. ‘Shewing the Situation of Every Building Described in this Work’, two engraved title pages, and one in text Plan of Druidical Stone.
Grose (1731-91), English antiquary draughtsman and lexicographer, initiated the eighteenth-century's most extensive series of published illustrations of ancient monuments.
In 1788 he began the first of several tours of Scotland in order to produce The Antiquities of Scotland. It was on the second of these tours, in summer 1789, that he met and immediately formed a friendship with the poet Robert Burns. Burns met him while he was staying with Robert Riddell at the Friar's Carse, collecting material for his Scottish work. Burns suggested to him that he should include Alloway Kirk in his Scottish Antiquities, and Grose agreed on condition that Burns provided a witch tale to go with his drawing. In June 1790, Burns sent Grose a prose tale with a variant in a letter to Grose, following it up with a rhymed version, "Tam o' Shanter" (see Volume II, page 31).
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Price HK$ 8,000
1797 - Hooper &, London - First Hooper &
Two magnificently illustrated large volumes of this comprehensive work, with 190 full page engraved plates, large engraved folding Index Map to the Antiquities of Scotland. ‘Shewing the Situation of Every Building Described in this Work’, two engraved title pages, and one in text Plan of Druidical Stone.Grose (1731-91), English antiquary draughtsman and lexicographer, initiated the eighteenth-century's most extensive series of published illustrations of ancient monuments.
In 1788 he began the first of several tours of Scotland in order to produce The Antiquities of Scotland. It was on the second of these tours, in summer 1789, that he met and immediately formed a friendship with the poet Robert Burns. Burns met him while he was staying with Robert Riddell at the Friar's Carse, collecting material for his Scottish work. Burns suggested to him that he should include Alloway Kirk in his Scottish Antiquities, and Grose agreed on condition that Burns provided a witch tale to go with his drawing. In June 1790, Burns sent Grose a prose tale with a variant in a letter to Grose, following it up with a rhymed version, "Tam o' Shanter" (see Volume II, page 31).
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Price HK$ 8,000
Robertson of Irvine - Poet-Preacher -
Arthur Guthrie
1890 - Ardrossan, London - Second Edition
A finely bound copy, illustrated with engraved frontispiece portrait and calotype plate of Trinity Church, Irvine from a photograph.
William Bruce Robertson (1820-86), Scottish divine, was born at Greenhill, St. Ninians, Stirling, 24 May, 1820, and was educated at the University of Glasgow and at the Secession Theological Hall, Edinburgh, where he made the acquaintance of Thomas de Quincey, and on his recommendation went to the University of Halle and studied under Friedrich Tholuck.
After travelling in Italy and Switzerland he was licensed to preach by the Presbytery of Stirling and Falkirk in 1843, and was soon after ordained at the United Secession Church (after 1847, the United Presbyterian Church) in Irvine, Ayrshire. In this charge he remained for 35 years, exercising from his pulpit a truly magnetic influence.’
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Price HK$ 1,500
1890 - Ardrossan, London - Second Edition
A finely bound copy, illustrated with engraved frontispiece portrait and calotype plate of Trinity Church, Irvine from a photograph.William Bruce Robertson (1820-86), Scottish divine, was born at Greenhill, St. Ninians, Stirling, 24 May, 1820, and was educated at the University of Glasgow and at the Secession Theological Hall, Edinburgh, where he made the acquaintance of Thomas de Quincey, and on his recommendation went to the University of Halle and studied under Friedrich Tholuck.
After travelling in Italy and Switzerland he was licensed to preach by the Presbytery of Stirling and Falkirk in 1843, and was soon after ordained at the United Secession Church (after 1847, the United Presbyterian Church) in Irvine, Ayrshire. In this charge he remained for 35 years, exercising from his pulpit a truly magnetic influence.’
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Price HK$ 1,500
The Chronicles of Scotland. Published from Several Old Manuscripts -
Robert Lindsay of Pitscottie, John Graham Dalyell (editor)
1814 - Printed by George Ramsay for Archibald Constable and Company, Edinburgh
An early and rare publication of Lindsay’s Historie and Chronicles of Scotland, the first history of Scotland to be composed in Scots rather than Latin, and first published in 1728. This edition was compiled by Dalyell from four different manuscripts, and even Dalyell says that ‘perhaps it is not inconsistent to admit, that [Lindsay] may have availed himself of the materials collected by his predecessors.’
The Biographical Dictionary of Eminent Scotsmen gives Lindsay some credit, by stating that ‘the earnest and honest simplicity of the good old chronicler, however, is exceedingly amusing.’ But, they go on to say that ‘as to the Chronicles themselves, it is not perhaps very easy to determine in what language they should be spoken of. They present a strange compound of endless and aimless garrulity, simplicity, credulity, and graphic delineation; the latter, however, evidently the effect not of art or design, but of a total want of them. He describes events with all the circumstantiality of an eyewitness, and with all the prolixity of one who is determined to leave nothing untold, however trifling it may be. But his credulity, in particular, seems to have been boundless, and is remarkable even for the credulous age in which he lived. He appears to have believed, without question, every thing which was told him; and, believing it, has carefully recorded it.’
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Price HK$ 5,000
1814 - Printed by George Ramsay for Archibald Constable and Company, Edinburgh
An early and rare publication of Lindsay’s Historie and Chronicles of Scotland, the first history of Scotland to be composed in Scots rather than Latin, and first published in 1728. This edition was compiled by Dalyell from four different manuscripts, and even Dalyell says that ‘perhaps it is not inconsistent to admit, that [Lindsay] may have availed himself of the materials collected by his predecessors.’The Biographical Dictionary of Eminent Scotsmen gives Lindsay some credit, by stating that ‘the earnest and honest simplicity of the good old chronicler, however, is exceedingly amusing.’ But, they go on to say that ‘as to the Chronicles themselves, it is not perhaps very easy to determine in what language they should be spoken of. They present a strange compound of endless and aimless garrulity, simplicity, credulity, and graphic delineation; the latter, however, evidently the effect not of art or design, but of a total want of them. He describes events with all the circumstantiality of an eyewitness, and with all the prolixity of one who is determined to leave nothing untold, however trifling it may be. But his credulity, in particular, seems to have been boundless, and is remarkable even for the credulous age in which he lived. He appears to have believed, without question, every thing which was told him; and, believing it, has carefully recorded it.’
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Price HK$ 5,000
Reminiscences of Scottish Life and Character - Inscribed -
Edward B. Ramsay
1871 - Edmonston and Douglas, Edinburgh - Twentieth Edition
A fine inscribed edition, magnificently bound by Bayntun-Rivière of Bath.
First published in 1857, and extended throughout Ramsay’s life, it consists of his personal recollections, anecdotes and opinions. In addition to the entertaining preface, chapters cover Scottish Religious Feelings, Old Scottish Conviviality, The Old Scottish Domestic Servant, Humour Proceeding from Scottish Expressions Including Scottish Proverbs, and Scottish Stories of Wit and Humour.
An important association copy, inscribed by Ramsay to Doctor Robert Carruthers of Inverness, with Ramsay’s hand written note going on to say that this ‘is the 20th edition and I suppose to be my last - the concluding part from page 316, on the subject of a “closer union amongst Christians is entirely new in the Edition’. Dr. Carruthers is also thanked by Ramsay in the introduction (see page X). This work actually went through a further two editions before Ramsay’s death in 1872
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Price HK$ 5,500
1871 - Edmonston and Douglas, Edinburgh - Twentieth Edition
A fine inscribed edition, magnificently bound by Bayntun-Rivière of Bath.First published in 1857, and extended throughout Ramsay’s life, it consists of his personal recollections, anecdotes and opinions. In addition to the entertaining preface, chapters cover Scottish Religious Feelings, Old Scottish Conviviality, The Old Scottish Domestic Servant, Humour Proceeding from Scottish Expressions Including Scottish Proverbs, and Scottish Stories of Wit and Humour.
An important association copy, inscribed by Ramsay to Doctor Robert Carruthers of Inverness, with Ramsay’s hand written note going on to say that this ‘is the 20th edition and I suppose to be my last - the concluding part from page 316, on the subject of a “closer union amongst Christians is entirely new in the Edition’. Dr. Carruthers is also thanked by Ramsay in the introduction (see page X). This work actually went through a further two editions before Ramsay’s death in 1872
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Price HK$ 5,500
A Ballad Book -
Charles Kirkpatrick Sharpe, Sir Walter Scott, David Laing (editor)
1880 - William Blackwood and Sons, Edinburgh and London - First Edition
‘I think you do me much honour by preserving my scribbles’ writes the colourful and eccentric Sharpe in the tipped in letter that accompanies his finely bound Ballad Book, re-edited by David Laing, with additions from Sharpe's manuscripts, and which he first printed only 30 copies in 1823, although according to Henderson, the majority of the added ballads in 1880 were of more or less questionable authenticity (ODNB). The final portion of the book prints Sir Walter Scott’s commentary on the original poems, and is taken from correspondence between Scott and his friend Sharpe.
Scarce. Illustrated with a colour frontispiece portrait, woodblock engraving plate and headpiece (as used for the original 1823 edition).
A speculative note regarding the letter - As stated in the editor’s introduction (ix) ‘Mr Sharpe’s own annotated copy’ was carefully followed to produce this work, a copy that was ‘in the possession of Sir James Gibson-Craig’. Gibson-Craig had one of the finest collection of Scottish works ever assembled, and other correspondence from Sharpe to Gibson-Craig did begin with ‘Signor Mio’, leading us to speculate that this letter accompanied the original and rare 1823 printing of which only 30 were produced, and which in this case was later given by Sharpe to Gibson-Craig.
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Price HK$ 5,000
1880 - William Blackwood and Sons, Edinburgh and London - First Edition
‘I think you do me much honour by preserving my scribbles’ writes the colourful and eccentric Sharpe in the tipped in letter that accompanies his finely bound Ballad Book, re-edited by David Laing, with additions from Sharpe's manuscripts, and which he first printed only 30 copies in 1823, although according to Henderson, the majority of the added ballads in 1880 were of more or less questionable authenticity (ODNB). The final portion of the book prints Sir Walter Scott’s commentary on the original poems, and is taken from correspondence between Scott and his friend Sharpe.Scarce. Illustrated with a colour frontispiece portrait, woodblock engraving plate and headpiece (as used for the original 1823 edition).
A speculative note regarding the letter - As stated in the editor’s introduction (ix) ‘Mr Sharpe’s own annotated copy’ was carefully followed to produce this work, a copy that was ‘in the possession of Sir James Gibson-Craig’. Gibson-Craig had one of the finest collection of Scottish works ever assembled, and other correspondence from Sharpe to Gibson-Craig did begin with ‘Signor Mio’, leading us to speculate that this letter accompanied the original and rare 1823 printing of which only 30 were produced, and which in this case was later given by Sharpe to Gibson-Craig.
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Price HK$ 5,000