SOLD - The Wines of Gala - Salvador Dali

1978 - Harry N. Abrams, New York - First Edition
‘Dalí's predictably eccentric follow-up to his absurdist cookbook Les Dîners de Gala... this is the modern wine bible we never knew we needed...’

Profusely illustrated throughout, with many full page colour plates of Dali's signature surrealistic paintings and drawings, as well as his doctored versions of 15th century miniatures and 19th century Academic works. Max Gerard describes 10 celebrated wines and Louis Orizet groups the world's wines into 10 categories according to the sensations they evoke. All housed in the thick oversized gold metallic dust jacket designed by Dali.

‘It’s the second section, “
Ten Gala Wines,” that hits the home run, blowing minds in the way Dalí masterpieces like “The Persistence of Memory” do. Writer Louis Orizet (a viticulturist and politician in Beaujolais), with help from Georges Duboeuf (a driving force behind the marketing campaign for Beaujolais Nouveau), sets out to explode wine criticism by categorizing wines by their emotional resonance, rather than prosaic features like geography or varietal. In his introduction to the section, Orizet lays bare his mission statement: to “organize wines according to the sensations they create in our very depths.”’ - Regan Hofmann, Punch Drink, 2015. 
More details

Price HK$ 0



Almanach du Masque d'Or - Edouard Halouze (illustrator)

1920 - chez Devambez, 23 - Premiere Année
A lovely copy of this delightful Almanach. A stunning example of beauty, finesse and luxury from the Art-Deco period. Only 1000 copies were printed and this is numbered 68. The hand-coloured illustrations are by Edouard Halouze and include four plates of the seasons as well as 17 full page plates which decorate the ‘Petit Guide de la Vie Elégante’ presented in the form of a collection of advertisements for the Moulin Bleu, Cartier, Prunier, Gaveau, les couturiers Raimon et Martial & Armand, etc. Suitably housed in a one of a kind, hand-tooled case by Bayntun-Riviere. 
More details

Price HK$ 22,000



Zos-Kia - Gavin W. Semple

1995 - Fulgar BCM , London - First Edition
‘....we find him of the company of Blake and Fuseli and their circle; but far superior to any of them in the mastery of representational craft.’

A fine, bright copy of Gavin W. Semple’s
Zos-Kia, an essay exploring the life and methodology of famed occultist, artist and writer, Austin Osman Spare, illustrated throughout with 8 full page colour plates, 2 black and white photographs and numerous full page and in-text drawings, together with a woodblock print on rust coloured paper laid in.

As one of the most fascinating figures of the surrealist movement in 1920’s Europe, Spare captured the public imagination with his etchings, drawings and paintings, and became the youngest entrant to the Royal Academy summer exhibition in 1904. Gavin Semple’s
Zos Kia is unrivalled in its critical examination of Spare’s influences and methodology, and contains previously unpublished excerpts from Spare’s last grimoire ‘The Logomachy of Zos’ 
More details

Price HK$ 3,000



Le Bon Bock - Various

1886 to 1906 - Privately Printed by Glyptographie Silvestre [1886-91] and then by E. Bernard [1892-1906] , Paris
An incredibly rare collection of nearly 300 original illustrated letterpress dinner invitations from Le Bon Bock society, whose soirees on the second Tuesday of each month in near Montmartre were frequented by Paris’ most flamboyant and original writers and artists of the La Belle Époque.

The artists competed to have their work used for the next invitation, and together with their work each invitation provides an account of the previous dinners activities, beginning with opening speeches, notices and announcements, and then other activities, which usually include poems, prose, texts, songs, instrumental pieces.

The invitations are dated from April 7th 1886 to October 5th 1906, with the first thirty or so addressed to Monsieur Régnier, one of the founders of the association. Individually rare, a collection of this size and association provides one of the most important associations of the Belle Époque in Paris.

Inspired by Edouard Manet’s painting
Le Bon Bock (The Good Pint), and the democratic, nationalistic ideals that it symbolised, Emile Bellot (the printmaker and model for Manet’s beer drinker) established the Bon Bock Society in 1875. Consisting mainly of artists, writers and performers, the society sought to re-define France’s national spirit by delving into the country’s cultural past. The inseparable ideals of freedom and humour within their community created opportunities for artistic experimentation; the Bon Bockers and their carefree attitude would go on to inspire generations of Montmartre natives for years to come. 
More details

Price HK$ 50,000