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A Voyage Round the World, In the Years MDCCXL, I, II, III, IV. -
George Anson, Richard Walter
1748 - Printed for the Author, London - First Edition
A finely bound ‘Royal Paper’ copy of this beautifully illustrated work which ‘has long occupied a distinguished position as a masterpiece of descriptive travel’ (Hill), and ‘a model of what such literature should be’ (Cox).
Containing forty-two copper-engraved maps, charts, views, and coastal profiles, all but one folding, including views of Brazilian harbours and cities, Acapulco, Tenian, Port St. Julian, Magellan’s Straits, the Bay of Manila, Saipan, Lama, Lantau, Chinese junks, and others, and large folding maps of South America, the Philippines, and the Pacific Ocean, as well as a twelve-page subscriber list, and the two-page instructions to the binder.
England, at war with Spain in 1739, equipped eight ships under the command of George Anson to harass the Spaniards on the western coast of South America for the purpose of cutting off Spanish supplies of wealth from the Pacific area. Seven ships were lost and of 900 men 600 perished. As usual, scurvy took an appalling toll.
The Spanish fleet sent to oppose the British ran into storms; provisions ran out and many ships were wrecked. Thus the primary objective of the expedition was not attained. Anson, however, continued taking prizes off the Pacific coast during 1741-42, and in June 1743, near the Philippines, he captured the Spanish galleon Nostra Seigniora de Cabadonga and its treasure of £400,000 sterling, which allowed Anson and the surviving members of his crew to reach England much the richer.
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Price HK$ 59,000
1748 - Printed for the Author, London - First Edition
A finely bound ‘Royal Paper’ copy of this beautifully illustrated work which ‘has long occupied a distinguished position as a masterpiece of descriptive travel’ (Hill), and ‘a model of what such literature should be’ (Cox).Containing forty-two copper-engraved maps, charts, views, and coastal profiles, all but one folding, including views of Brazilian harbours and cities, Acapulco, Tenian, Port St. Julian, Magellan’s Straits, the Bay of Manila, Saipan, Lama, Lantau, Chinese junks, and others, and large folding maps of South America, the Philippines, and the Pacific Ocean, as well as a twelve-page subscriber list, and the two-page instructions to the binder.
England, at war with Spain in 1739, equipped eight ships under the command of George Anson to harass the Spaniards on the western coast of South America for the purpose of cutting off Spanish supplies of wealth from the Pacific area. Seven ships were lost and of 900 men 600 perished. As usual, scurvy took an appalling toll.
The Spanish fleet sent to oppose the British ran into storms; provisions ran out and many ships were wrecked. Thus the primary objective of the expedition was not attained. Anson, however, continued taking prizes off the Pacific coast during 1741-42, and in June 1743, near the Philippines, he captured the Spanish galleon Nostra Seigniora de Cabadonga and its treasure of £400,000 sterling, which allowed Anson and the surviving members of his crew to reach England much the richer.
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Price HK$ 59,000
Russian Ballet. Camera Studies by Gordon Anthony. With an Introduction by Arnold Haskell -
Gordon Anthony
1939 - Geoffrey Bles, London - First Edition
Illustrated with 96 tipped-in black and white photographs of Russian ballet stars, including a frontispiece.
A series of photographic studies of the stars of both Russian ballet companies at the time, including a portrait of the choreographer Michael Fokine, young Serge Lifar, Irina Baronova, Anton Dolin, Alexandra Danilova, Frederick Franklin, Tamara Grigorieva, David Lichine, Alicia Markova, Marc Platoff, Leonide Massine, Mia Slavenska and others.
Gordon Anthony was born James Gordon Dawson Stannus in Wicklow, Ireland on 23 December 1902. He started working in photography in 1926, making images of the students at his sister's ballet school in London. In 1933 he became the portrait photographer to the Shakespeare Memorial Theatre, Stratford. His photographs helped to make the Royal Ballet known across the world in the 1930s. In 1948, he published the first ever book of colour photography in Great Britain, Studies of Dancers.
Anthony's photographs are held in major collections including the Victoria and Albert Museum and the National Portrait Gallery.
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Price HK$ 8,000
1939 - Geoffrey Bles, London - First Edition
Illustrated with 96 tipped-in black and white photographs of Russian ballet stars, including a frontispiece.A series of photographic studies of the stars of both Russian ballet companies at the time, including a portrait of the choreographer Michael Fokine, young Serge Lifar, Irina Baronova, Anton Dolin, Alexandra Danilova, Frederick Franklin, Tamara Grigorieva, David Lichine, Alicia Markova, Marc Platoff, Leonide Massine, Mia Slavenska and others.
Gordon Anthony was born James Gordon Dawson Stannus in Wicklow, Ireland on 23 December 1902. He started working in photography in 1926, making images of the students at his sister's ballet school in London. In 1933 he became the portrait photographer to the Shakespeare Memorial Theatre, Stratford. His photographs helped to make the Royal Ballet known across the world in the 1930s. In 1948, he published the first ever book of colour photography in Great Britain, Studies of Dancers.
Anthony's photographs are held in major collections including the Victoria and Albert Museum and the National Portrait Gallery.
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Price HK$ 8,000
Le Paysan de Paris The Peasant of Paris - Signed by Henri Cartier-Bresson -
Louis Aragon, Henri Cartier-Bresson
1994 - The Limited editions Club, New York - Number 89 of 300 copies.
‘I was seeking… a new kind of novel that would break all the traditional rules governing the writing of fiction… a novel that the critics would be obliged to approach empty-handed’ – Louis Aragon.
A large (32x42cm) beautiful and superbly produced limited edition folio of Louis Aragon’s outstanding Surrealist novel – in which he compares a poet’s love for his city to a peasant’s love for his land – illustrated and signed by Henri Cartier-Bresson, one of only 300 copies. With the text in English, translated by Simon Watson-Taylor.
Stunningly illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. The lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock.
Bound in silk and provided with a matching felt lined silk slipcase.
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Price HK$ 9,000
1994 - The Limited editions Club, New York - Number 89 of 300 copies.
‘I was seeking… a new kind of novel that would break all the traditional rules governing the writing of fiction… a novel that the critics would be obliged to approach empty-handed’ – Louis Aragon.A large (32x42cm) beautiful and superbly produced limited edition folio of Louis Aragon’s outstanding Surrealist novel – in which he compares a poet’s love for his city to a peasant’s love for his land – illustrated and signed by Henri Cartier-Bresson, one of only 300 copies. With the text in English, translated by Simon Watson-Taylor.
Stunningly illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. The lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock.
Bound in silk and provided with a matching felt lined silk slipcase.
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Price HK$ 9,000
A Handbook to Canton and Macao -
J. Arnold
1921 - Hong Kong, Hong Kong - Tenth edition
A fine and scarce little guidebook published ‘with a view to furnish those desiring to make the enjoyable and interesting visits to Canton and Macao, with reliable and accurate information concerning the sailings of the Companies’ steamers, guides, hotels, etc.’ Promoting the services of The Hong Kong, Canton and Macao Steamboat Company, founded in 1865.
Heavily illustrated with over 70 photographs many taken by John Arnold, accompanied by text, (first printed in 1905 with 25 photos and less text), and a colour map.
To the rear are thirteen pages of wonderful period advertisements for Canton and Hong Kong based traders, merchants, shipping companies and hotels. In the publisher’s original illustrated cloth covers and brown string ties.
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Price HK$ 4,000
1921 - Hong Kong, Hong Kong - Tenth edition
A fine and scarce little guidebook published ‘with a view to furnish those desiring to make the enjoyable and interesting visits to Canton and Macao, with reliable and accurate information concerning the sailings of the Companies’ steamers, guides, hotels, etc.’ Promoting the services of The Hong Kong, Canton and Macao Steamboat Company, founded in 1865.Heavily illustrated with over 70 photographs many taken by John Arnold, accompanied by text, (first printed in 1905 with 25 photos and less text), and a colour map.
To the rear are thirteen pages of wonderful period advertisements for Canton and Hong Kong based traders, merchants, shipping companies and hotels. In the publisher’s original illustrated cloth covers and brown string ties.
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Price HK$ 4,000
Real Sailor-Songs -
John Ashton (Editor)
1891 - The Leadenhall Press, London - First Edition
A magnificent and large folio, containing 129 historical naval songs in full page and broadsheet format, charmingly illustrated with over 200 engravings.
One third of the songs celebrate the great British naval victories up to the end of the 18th century, the balance gathered under the headings of - ‘Press Gang’, ‘Disaster’, ‘Ashore’, ‘Love’, and ‘Miscellaneous’.
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Price HK$ 6,000
1891 - The Leadenhall Press, London - First Edition
A magnificent and large folio, containing 129 historical naval songs in full page and broadsheet format, charmingly illustrated with over 200 engravings.One third of the songs celebrate the great British naval victories up to the end of the 18th century, the balance gathered under the headings of - ‘Press Gang’, ‘Disaster’, ‘Ashore’, ‘Love’, and ‘Miscellaneous’.
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Price HK$ 6,000
The Complete Works - Sense and Sensibility; Pride and Prejudice; Mansfield Park; Emma; Northanger Abbey and Persuasion; Lady Susan, The Watsons, and Letters -
Jane Austen
1911-12 - John Grant, Edinburgh - The Winchester Edition
‘I declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book! When I have a house of my own, I shall be miserable if I have not an excellent library.'
An elegantly bound twelve volume set, comprising all of Austen's works. With a portrait frontispiece to first volume, and title pages printed in red and black with a vignette 'JA' monogram.
‘Affectation of candour is common enough—one meets with it everywhere. But to be candid without ostentation or design—to take the good of everybody's character and make it still better, and say nothing of the bad—belongs to you alone.’
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Price HK$ 35,000
1911-12 - John Grant, Edinburgh - The Winchester Edition
‘I declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book! When I have a house of my own, I shall be miserable if I have not an excellent library.'An elegantly bound twelve volume set, comprising all of Austen's works. With a portrait frontispiece to first volume, and title pages printed in red and black with a vignette 'JA' monogram.
‘Affectation of candour is common enough—one meets with it everywhere. But to be candid without ostentation or design—to take the good of everybody's character and make it still better, and say nothing of the bad—belongs to you alone.’
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Price HK$ 35,000
Complete Novels - Pride and Prejudice; Sense and Sensibility; Mansfield Park; Emma; Northanger Abbey and Persuasion -
Jane Austen, Austin Dobson (editor), Charles E. Brock, Hugh Thomson, (illustrator)
1912-1929 - Macmillan and Co., London
‘I declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book! When I have a house of my own, I shall be miserable if I have not an excellent library.'
An elegantly bound little five volume set, comprising all of Austen's novels. Beautifully illustrated throughout by Hugh Thomson and Charles Brock. Each volume with an introduction by Austin Dobson. Presented in a matching bespoke fleece-lined scarlet cloth-covered slipcase with ribbon pull.
‘Affectation of candour is common enough—one meets with it everywhere. But to be candid without ostentation or design—to take the good of everybody's character and make it still better, and say nothing of the bad—belongs to you alone.’
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Price HK$ 16,000
1912-1929 - Macmillan and Co., London
‘I declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book! When I have a house of my own, I shall be miserable if I have not an excellent library.'An elegantly bound little five volume set, comprising all of Austen's novels. Beautifully illustrated throughout by Hugh Thomson and Charles Brock. Each volume with an introduction by Austin Dobson. Presented in a matching bespoke fleece-lined scarlet cloth-covered slipcase with ribbon pull.
‘Affectation of candour is common enough—one meets with it everywhere. But to be candid without ostentation or design—to take the good of everybody's character and make it still better, and say nothing of the bad—belongs to you alone.’
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Price HK$ 16,000
Made in France - Signed -
Richard Avedon, Judith Thurman
2001 - Fraenkel Gallery, San Francisco - First and only edition, limited to 5000 &lsquo
A clean example of this fine large and fabulous book, signed by Avedon in his typical large scrawl.
Illustrated with 40 tritone and quadrotone plates, text by Richard Avedon and an Essay by Judith Thurman, staff writer for The New Yorker.
‘And if a day goes by without my doing something related to photography, it's as though I've neglected something essential to my existence, as though I had forgotten to wake up. I know that the accident of my being a photographer has made my life possible.’ - Richard Avedon.
‘These witty, ravishing photographs were taken in the late fifties, when Avedon was still shooting Paris couture for Harper's Bazaar— Suzy Parker, in a Lanvin-Castillo evening dress, bent over a pinball machine at Café des Beaux-Arts; Audrey Hepburn, in Dior, propped up against the bar at Maxim's like a bejewelled fountain pen.
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Price HK$ 12,000
2001 - Fraenkel Gallery, San Francisco - First and only edition, limited to 5000 &lsquo
A clean example of this fine large and fabulous book, signed by Avedon in his typical large scrawl.Illustrated with 40 tritone and quadrotone plates, text by Richard Avedon and an Essay by Judith Thurman, staff writer for The New Yorker.
‘And if a day goes by without my doing something related to photography, it's as though I've neglected something essential to my existence, as though I had forgotten to wake up. I know that the accident of my being a photographer has made my life possible.’ - Richard Avedon.
‘These witty, ravishing photographs were taken in the late fifties, when Avedon was still shooting Paris couture for Harper's Bazaar— Suzy Parker, in a Lanvin-Castillo evening dress, bent over a pinball machine at Café des Beaux-Arts; Audrey Hepburn, in Dior, propped up against the bar at Maxim's like a bejewelled fountain pen.
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Price HK$ 12,000